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"Just as the bourgeoisie, in its ascendant phase, had to ruthlessly liquidate everything that transcended earthly life (heaven, eternity), so the revolutionary proletariat - which can never, without ceasing to be revolutionary, recognize itself in any past or any models - will have to renounce everything that transcends everyday life. Or rather, everything thing that claims to transcend it: the spectacle, "historical" acts or pronouncements, the "greatness" of leaders, the mystery of specializations, the "immortality" of art and its supposed importance outside of life. In other words, it must renounce all the by-products of eternity that have survived as weapons of the world of the rulers."
- Guy Debord, "Conscious Changes in Everyday Life," May 1961
credits
released December 4, 2020
AW - field recordings, guitar, electronics, synthesizer, electric piano
Crane Sunset with Electric Piano contains recordings from Muleshoe Wildlife Refuge, Texas, Occupied Comanche territory
Two Nights at Cow Camp contains recordings from Palo Duro State Park, Texas, Occupied Comanche, Apache, & Kiowa territory. It was made by layering overnight recordings made between midnight and sunrise. Synthesis generated from a 360 degree photograph of the recording location.
Cold Front Canyon contains recordings from Palo Duro State Park, Texas, Occupied Comanche, Apache, & Kiowa territory.
Dammed Pease with Sunset contains recordings from Copper Breaks State Park, Texas, Occupied Kickapoo, Comanche, Kiowa and Wichita territory.
High Point Guadalupe Peak contains recordings from Guadalupe Mountains National Park, Texas, Occupied Mescalero Apache territory
Cover photo by AW at Caprock Canyons, Texas
Composed, Mixed and Mastered at Wind Tide, Littlefield, TX, Occupied Comanche territory.
Less a solo act than a one-man megalith, Khôra builds impressive experimental soundscapes from modular synths, flutes, harps, and more. Bandcamp New & Notable Feb 19, 2020